The Girl from Plainville

What’s it about?

This miniseries explores the relationship between Michelle Carter and Conrad Roy III, the events that led to Conrad’s suicide, and the court case where Michelle is convicted of involuntary manslaughter.

Mental health and suicide is focused on throughout the miniseries and could be quite hard hitting for those who have had similar experiences, know someone who has had similar experiences, or have sensitivities towards this type of content.

The facts

• Created by Liz Hannah and Patrick MacManus
• Runtime: 43 minutes
• English language
• Inspired by the true story of the Michelle Carter “suicide-texting” case in America.

Why did it get this rating?

This miniseries was self-rated by Prime Video. You can find out more about self-rating by streaming providers here.

Suicide themes

The storyline begins with Conrad’s death. He is found in his truck with a generator running in the back seat, showing how he took his life. The following scenes show his family and Michelle finding out about his death. Any of these scenes could feel real and upsetting for people who have experienced similar pain and loss.

Conrad’s suicide is referred to throughout the episode as it is central to the storyline of the miniseries.

Offensive language

Swear words are used occasionally in the episode.

Other episodes

There is a focus on self-harm and restrictive eating throughout the rest of The Girl from Plainville.

Suicide and mental health remain central to the miniseries, expressed through the grief of Conrad's family as well as during the trial. There are also many references to Conrad’s suicide and to mental health in general.

Further information

If your young person is interested in watching this miniseries, we encourage you to watch with them and talk together about some of the more hard-hitting scenes and themes that come up.

• Talking with young people about what they’re watching
• How I wished my parents talked to me about upsetting content
• 1737 – Need to talk?
• The Girl from Plainville review – Elle Fanning doesn’t put a foot wrong in this questionable true-crime drama