Hotel Transylvania 2
NZ release: 26 November 2015
Violence and scary scenes Rated on: 26 November 2015

What’s it about?
Dracula and his friends return to try and awaken the monster in his half human, half vampire grandson.
The facts
- Directed by Genndy Tartakovsky (Samurai Jack, Hotel Transylvania 2)
- English language
- Runtime: 85 minutes
- Staring Adam Sandler, Andy Samberg, Kevin James, and Selena Gomez.
Why did it get this rating?
This film was cross-rated by the Film and Video Labelling Body. You can find out more about cross-rating here.
Horror
When Dracula and Mavis are mad, they show terrifying fangs and red eyes. They sometimes scream. This could frighten younger viewers.
There are different types of monsters: zombies, ghosts, skeletons, mummies, witches, and other creatures. Some have scary features such as one large eye, sharp fangs and long arms.
A character stalks a rat and grabs it with their mouth.
Violence
Characters often fight each other. We see kicking, punching, slapping, and biting. In a few scenes, characters throw or smash objects, sometimes at other characters. In one scene, characters fight a swarm of dangerous terrifying bat people.
Dangerous imitable behaviour
Characters climb up a tower. Dracula throws a character off the very top of the tower, but he rushes in at the last second to save them. The tower then collapses and explodes.
Further information
Recent featured decisions
Violence, cruelty, offensive language, sex scenes and content that may disturb
When savvy surfer Zephyr is abducted and held captive on a boat by a shark-obsessed serial killer, she must find a way to escape before becoming part of his ritualistic feeding to the sharks below.
Content that may disturb, offensive language
This documentary revisits the tragedy and aftermath of rapper Travis Scott’s 2021 Astroworld Festival in Houston, Texas, co-organised by Live Nation. Ten people, aged 9 to 27, lost their lives due to poor planning and understaffing of the event.
Told through festivalgoer footage, harrowing 911 calls, and interviews with survivors and families, the film raises questions about the responsibility of artists in an industry that pushes them to amplify their performances to drive revenue.